
I went to see The Indian Summer (http://indiansummers.bandcamp.com/) on January 27 at Ipsento (http://www.ipsento.com/). The Indian Summer is made up of Laura Ann Stoll and Jonathan Colon.
There were some musicians there as well, which complemented the poetry very nicely. Most of the poets only stated their first name prior to their readings, but I guess that’s not too unusual. One of my favorites was a guy named Juan who had a spoken word feel to his work. He did three pieces, but my favorite was called “The City”. Being so close to Chicago, you would think the city he would be referencing would be Chicago, but it wasn’t. I found out through the poem that he’s from Mexico and the city he was referring to was Mexico City. Another poet I really enjoyed was named Karl. He probably considered himself a rapper rather than a poet. He reminded me of Eminem, who is one of my favorite artists. If his pieces had names, he didn’t state them. The other three poets were females. Their pieces seamed more forced than the males. Their names were Jessie, JoJo and Katie. All three of them had a similar style. No rhyming and loudly spoken. When they weren’t reading they were very soft spoken so it was interesting to hear the loud, accented words come out of their mouths. I think that’s part of what made them sound more forced. It sounded foreign compared to the soft tones they began their introductions with.
The Avol’s is a small bookstore, but there was maybe only 10 people in attendance so we were able to all sit comfortably. My mom and I were one of the last to arrive and sat in the back row. We were only able to stay for the first two poets, Fabu, and Robin Chapman.
Fabu was the first to perform and introduced herself as the Fabulous Fabu. She had a very soothing soft spoken voice and she dragged on certain words. She also seemed to have a movement/gesture for each line. One of the poems she read that stuck out to me the most was about President Obama, which talked about his strength, confidence and how we the people believe in the hope he brings.
Robin Chapman went next, she was an older lady who had a great storytelling voice. She wasn’t as active with her movements as Fabu was, but she did use subtle hand gesture every now and then. Most of the poems she read were nature poems, so they honestly all blended together for me.
I had never been to a poetry reading before so I really enjoyed the new experience, even if I didn’t care for all the poem that were read. I think I may have enjoyed the reading more if had been able to do some more research about the poets, and would have known their style of poetry before hand. I would have liked to stay a little longer too, to experiences some of the other poets as well.
I attended a poetry reading on February 24, presented by Columbia College in Chicago. The venue was located at Stage Two of the 618 S. Michigan building. Edwin Torres is a highly-acclaimed performance poet from New York City, he was presenting “Performance Poetry in the Age of Language.” I attended this reading because it was being held after my classes that Thursday and conveniently located in the next building.
Stage two is a rather large auditorium with multiple sets of doors. As I was walking in, a woman handed me a thin book that was a free collection of poems. I was really excited that I received this for free because I can look for poems to add to my anthology. The venue was set up with a center aisle and rows of chairs on both sides, I quickly grabbed a seat close to the aisle in the back row. Behind me, machinery was set up to control the lights and sound and to my right a man behind a table was selling printed copies of the poets work. When the lights dimmed and the performance was starting, I noticed that many people were in attendance, at least 40-50 people.
After a short introduction, Edwin Torres took the stage and announced that he wouldn’t spend any time introducing each poem, he would just keep moving along. He was wearing baggy clothes with disheveled hair and long facial hair. He immediately jumped into reading poems and began with a smooth, calm tone. I noticed throughout the reading that Torres was very articulate and punctual with his words. He hardly paused and kept a good flow throughout each poem. Torres has a way of giving each poem a personality by using his tone of voice. I felt like each poem had a unique mood or setting. Torres had an interesting rhythm while reading certain poems, some were spoken smoothly using emphasis on the last word of each line. Other poems were sung or rhymed. I also noticed many of the poems were being told like a story, he would use a serious, narrative voice. I really enjoyed one poem, read in narrative style, about a father telling his son a story about the moon and the little boy’s friendly relationship with the moon.
Torres also used some provocative words and yelled loudly in some poems. While reading, Torres would use small hand gestures to emphasize some words of the poem. One of the most interesting poems he read had more of a performance effect. He began to play (on a CD player) a recording of repeating incoherent words that kind of created a beat. He began to recite a very dark passionate poem about love. This poem was rather long and would go from really intense to quiet and solemn. During this poem, the lights changed and went from dimmer white lights to bright blue and green lights.
From this reading I feel like I learned a lot about this poet. He mentions in a few poems that he has a Puerto Rican background and grew up in a working class family in America. He recites a poem that references his father’s death and how he died at a young age. He also recited a poem that referenced a song from “West Side Story,” I thought this was an interesting connection. I really enjoyed attending this reading. I never thought I would enjoy a poetry reading because I didn’t know what to expect. This reading opened my eyes to how interesting and artistic poetry really is. I think Torres has a wonderful way of bringing a tone and personality to each poem in a unique way. I think this variety was my favorite part of the reading, I found it to be so artistic and creative. I would have enjoyed the reading more if I didn’t have to leave early, I would have also liked to attend the reception afterward. It would have been interesting to meet Torres and see what kind of person he is off the stage. My perspective on poetry had completely changed by seeing this reading. I really look forward to attending another reading to see what else I can experience in the poetry world.
On February 11, I went to see Aimee Lee feature at Real Talk Live, a monthly reading put on by Real Talk Avenue. Le read from her debut publication Feral Citizens, co-written with another young poet Fiona Chamness.
I attended this reading because Aimee Le is a friend of mine from back home, and she happened to be reading in Chicago that night. I knew that Le would give a great performance, as she is making a name for herself all over the country in the slam community.
The venue is sort of interesting. Real Talk Live is put on once a month in an apartment on the north side of the city that is shared by several poets involved in the show. While this takes some getting used to, the atmosphere is friendly and cozy, and I felt really connected to the show.
I like Le’s poetry because it’s usually quirky, and so raw and heartfelt. She has impeccable word choice, and a real talent for taking mundane words and making them seem new and important. Le’s readings always remind me to take risk with my own writing, and I think that is the big thing that I learned when I attended. I enjoyed the reading in general because it felt really audience-friendly, and half of the show is an open mic, so there is a lot of variety in the poetry being read. Real Talk Live felt like a really community-oriented show. I think that the reading could have been more enjoyable if there was more space. While a kitchen is an interesting and intimate venue, it does get cramped.
Real Talk Live's website: